We’re here to challenge the way people see things: no matter how big or small, our passion is inspiring audiences to look at the world differently.
We believe the most powerful stories are not about what people do, but about why they do it. This runs through all of our work, whether it’s an independent feature film, a national advertising campaign or a 30-second film for a website, we work tirelessly with a carefully selected team of people to tell the best possible version of the story in the form of a beautifully-crafted film.
As a full service, concept-to-delivery
Pelican Pictures creativity company, we work closely with our clients to get to the heart of the matter and create beautiful and affecting content. So if you’re in need of a bit of Pelican Pictures in your life then drop us a line or swing by for a coffee. Great things will happen. Check out our work…
1) Let your mind drift
I read many studies saying that the rise of smartphones, social media and other entertainment apps has a negative impact on creativity. Why? Because whenever we’re about to be bored, we take our smartphone out. Boredom is often associated with a loss of productivity but it actually allows the mind to drift, and opens up new forms of input and understanding. Ideas usually don’t come up when your mind is busy. So a practical advice would be to keep moments where you just don’t do anything like when you’re waiting at the bus stop for instance. And also, you should definitely buy yourself a small notebook to write down thoughts, ideas… It might be very useful!
2) Follow other creators
3) Do some research
If you know the theme of your next film, such as the country you’ll be visiting or the people you’ll be meeting. It is essential to do your homework. Google it, Wikipedia it, go to your library and read stuff about it. The more you know about your theme, the higher chance of finding a nice angle to tell your story.
4) Challenge yourself
Creativity is the ability to create something unusual. If you use your usual gear, your usual techniques, your usual way of telling stories you probably won’t come up with something unusual… So don’t rest on your laurels. Challenge yourself, go out of your comfort zone. For instance, a few months ago, I challenged myself to make a video with a smartphone. Even though, the stats and feedbacks were not as good as my other videos. I still learned from it and I’m glad I took this risk.
5) Be open-minded
Whenever you or someone comes up with a germ of idea, even though it might seem silly or useless, try and develop this idea. Concepts are meant to change through their development. So instead of saying “No we can’t do that, it’s silly or impossible”, write it down and try and answer these questions: “How can we do it?”, “What do we need to it?” and “How can we improve it?” This will help you go from a silly idea to a practical application. And even if after torturing your brain, you realize it really was silly or impossible. Remember that it’s better to waste a few hours on a silly idea than waste a potential great idea.
A farmer (played by Joe Rabl) is haunted and consumed by a dangerous myth. He sets out to confront and unravel the mystery…
Directed, Produced, Concept and Edited by David Birner (davidbirner.com)
Producer : Joe Rabl (joerabl.com)
Director of Photography: Satoshi (satoshi.is) Special Thanks: Family Rabl
(played by Joe Rabl )
Directed, Produced, Concept and Edited by David Birner (davidbirner.com)
Producer by Joe Rabl (joerabl.com)
Director of Photography: Satoshi (satoshi.is)
Special Thx Rupert Rauch and Siegfried Leithold!
Time (Mood Spot)
Directed, Produced, Concept and Edited by
David Birner davidbirner.com
Actor: Joe Rabl joerabl.com
Director of Photography: Satoshi
Visual Effects: Jakob Olszewski
I spent six months working on a trawler out of Dutch Harbour, Alaska in the Bering Sea and, apart from the savage beauty of the ocean and nature around me, my eye was drawn to the firmament above and the mystical wonder and spectacle of the Aurora Borealis. The shapes and colours of the Sun’s charged particles interacting with the upper atmosphere producing what the Cree called the ‚Dance of the Spirits’…It reminded me that despite our technological advances we are a part of Nature and its forces and therefore there are influences on us beyond our control. Natural disasters are all too obvious in the way they disrupt our lives but what about the more subtle unconscious effect of the environment on us. We are usually aware of how we feel when it rains or shines, if we’re hot or cold and how our mood changes depending on how much light we receive to open our eyes, open our hearts…but can we be engaged at a level deeper than we suspect.
Having talked with a senior police officer I found out that it is no urban myth that the emergency services are more busy at the time of a full-moon…what if the Sun could have a similar effect on human behaviour…2013 marks the climax of the 11 year cycle of solar activity and there have been some amazing images captured by astronomers of solar flares this year but what if the Earth’s natural defence of gravity deflecting the waves of coronal mass ejections to the poles is impaired either as result of man-made environmental impact or an unusual scale of event…what if our scientific studies geared to the protection of electrical infrastructure have ignored the ‚danger‘ to the human being’s physical and psychological metabolism…what if the all-pervasive commercial imperative behind the safeguarding of satellites, communication networks, power grids etc. is ignoring something fundamental…the effect on ourselves…this is the genesis of Solar Storm.
The writing of Solar Storm:
The story-telling maxim of ordinary people in extraordinary circumstances and/or doing extraordinary things is given a wonderful conceit in the premise of Solar Storm – the characters trapped in their different lives are given a licence to find a way out of their problems, doing things they wouldn’t normally do and coincide because of the governing factors beyond their control – however they are not just pawns in some cosmic game of providence because what particularly interests me is the very personal way they try and understand and deal with what happens to them. If you contest the scientific interpretation of research done on the phenomenon of the effect on human behaviour by solar activity then this ‚abstract‘ idea is made real by someone failing a test that they normally would ace…if there is a victim of the global economic downturn, losing their job having tried to better their life or someone seeking a new life and being exploited, there can be a tendency to be immune to these stories because of their regularity in our news-saturated lives…but to find a way to show these people as individuals with individual needs and concerns – to engage an audience with a dramatic style to enquire about the motivation of their actions then there is an invitation to think again, about the cause and effect flap of the butterfly wings, this time captured through the lens of a motion camera. So themes of financial crises, environment, abusive relationships, economic migration and human trafficking, social crises, identity and love are explored through the very personal journeys of the characters and identify things that affect us all.
Dear Joe
I was so pleased to read the story and the script of ‚Solar Storm‘.
It’s a terrific movie with a lot of suspense, action, drama with a right bit of romance. But overall the mood and the environment surrounding the main characters, created by the Solar Storm is in my opinion one of the lead role in this movie. Its effects on the infrastructures, on the softwares, computers or whatever electronic devices is banned by the powerful magnetic field, is absolutely a awesome and original idea to put in background of a apparently simple story between Joe, the Shark, Jasmine and the Inspector Munro, become more complex in an extraordinary circumstance like the Solar Storm and what pandemonium it creates all around the world.
Here is the genial thing in this movie.
All the characters in Solar Storm are well defined and fit perfectly the story: JOE, great charcater, and his past crime world trying to live in simple way but capsizes in incredible events; JASMINE with her unexpected events to come; and overall the INSPECTOR MUNRO, lovely charcter, old school detective, great personality, chasing Joe and Jasmine and the gangs in a world becoming crazy..for sure will be magnificent on the screen; the interesting bad guy llke the SHARK, strong personality; the MAYOR, a double personality, classic business man that use the politic for cover, hide affairs and increase his fortune.
But also all the supporting cast are believable and ’surround‘ the main cast in perfect way.
So Joe Rabl he did such a beautiful work conceiving the story and writing the wonderful script.
One important mention is about the design and the ‚look‘ of the movie: Solar Storm is set in a modern city when its magnetic fields and radiations put down every electronic devices, software, connections and the electric power creating chaos, panic among people…there is some thunders, explosions, fires, electric wires hit by the Sun creates sparks and so on. So in all this contest all the city is like transformed in a dangerous place where the elements in night are just very dimly illuminated aside natural events happening here an d there.
I was so fascinated by this world and that was one of the reason i adore this script and as a Production designer creating this ‚atmosphere‘ will be more than a honor for me.
Grazie Joe Rabl,CEO and Founder of Pelican Pictures
Davide Stefano,Rom,Italy
Production Designer
The Sun reaches a climax of activity, massive ejections of matter and electromagnetic radiation are thrown into space…it’s a solar storm and it’s heading towards Earth. As scientists monitor this phenomenon, an event of a different kind is in full swing – the City Mayor’s Re-election Fund-raiser. After Joe (a guitar-playing, reformed petty criminal) gives leftover food to a homeless guy he returns to serve champagne to the great and the glittering good including Eric (a seemingly respectable businessman with a dark mode of operation) and his wife Jasmine (poised on the outside but hiding their abusive relationship & her hopeless outlook)
Joe takes his meagre earnings to a bar to drown his despondency with life and is found by his old friend Shark (a gang leader with a taste for voodoo) He resists the temptation of joining Shark in their old ways with his proposition of robbing a gas station. The city gives way to the slumber of the night except for the increasing excitement of the scientists observing the sun and decision to issue an alert to all agencies.
Dawn breaks and as the Mayor attends a disaster-planning briefing and the news media starts to broadcast information regarding the imminent impact of the solar storm and its possible effects: Joe is threatened with eviction for non-payment of rent and his only possession of value, his guitar, is taken away from him; Inspector Rich Munro (a been-there-seen-it-arrested-it old-school police detective) performs badly on a weapons test and; Jasmine & Eric have breakfast with their bickering conversation changing to a threatening tension between them, despite the presence of her son.
Joe is desperate for money and remembering his conversation with Shark the previous night, steals a gun and decides to rob the gas station. Jasmine is there, filling up after taking her son to school and the Inspector is washing his car on his way home from work. Joe grabs Jasmine and forces the Attendant to hand over the money at gunpoint, the Inspector tries to intervene but has to back down, Joe handcuffs him to the Attendant and escapes by forcing Jasmine to drive her car to get away despite the Inspector’s threat that he will hunt him down.
Eric proves he’s not quite the respectable business man and husband he appears, pimping Jasmine out for cash to the Mayor and putting pressure on Joe’s Landlord to get him his money. The Mayor explores the potential for personal financial gain through exploiting the impending crisis. Jasmine skilfully evades the police in pursuit and takes Joe to a secluded car park. When Jasmine tries to escape, Joe catches her and can’t let her go as he agreed…some kind of connection is growing between them.
Police radios break-up, traffic signals malfunction and a volatile incident involving street people are signs that the ‚Storm is exerting its influence despite the Mayor’s public re-assurances. The robbery is reported on the T.V. news and seen by Shark, he is not happy with what he sees and sets out to find Joe. The Inspector makes it back to headquarters and continues his investigation, despite a rising tension with his team he discovers Joe’s identity and his address as Eric, concerned that Jasmine has missed an appointment, finds out that her car isn’t where it should be.
Joe takes Jasmine to his apartment to hide, evading capture on the subway…they get increasingly close as they share something of their lives and why they feel trapped. Jasmine reveals the abusive nature of Eric, Joe doesn’t know what to do but he does know that he cares for her. The Inspector brings in a S.W.A.T. Team and prepares to raid…Shark is on his way…
The Inspector and S.W.A.T. Team smash into the apartment to the surprise of the couple that live there – it’s Joe’s old address but at the same time Shark arrives at the right address and hammers on the door – Joe, thinking it’s the police, tells Jasmine it’s over and he’s going to escape but she doesn’t want to be left behind. They run over the roof tops and are chased by Shark who wants the money. Joe is shot and he and Jasmine are both hurt in the fight that ensues…Joe loses his gun but they get away, even when they run into a stand-off between police and a violent group of youths, the police actually help them away not realising Joe is wanted as they try to contain the rioters and arrest Shark.
The Inspector tells Eric what’s happened, Eric seems genuinely distraught as the Inspector realises there might be an element of Stockholm Syndrome or even collusion on Jasmine’s part. Eric calls Joe’s Landlord and tells him to find them as the Inspector searches for more information.
After escaping Shark’s gang members Joe and Jasmine hole-up in a hotel. They dress their wounds, they make love and decide to rob Eric and start a new life together. The Landlord and the Inspector, independently track them down as a beautifully strange aurora colours the night-time sky. An electrical surge sets the hotel on fire and they have to avoid the Landlord as they get away through the city – a city on fire in the chaos of full scale riot and looting which increases when the power grid and mobile network fails. They manage to lose the Landlord although the Inspector almost has them cornered – when a satellite crashes into the mayhem…they disappear but the Inspector has a hunch and isn’t giving up his quarry.
At Jasmine & Eric’s apartment, Eric’s presence surprises them, Jasmine shoots him, she picked-up Joe’s gun on the roof, Joe tries to stop her by taking the gun and is caught with it in his hand as the Inspector arrives and arrests Joe.
Joe writes a song for Jasmine in his cell, the Inspector drives home and Jasmine warns her son about the effects of the sun…the effects of a Solar Storm…
Solarstorm Original idea and Pictures
(C) 2019 by Joe Rabl. All rights reserverd.
COPYRIGHT NOTE FOR SOCIAL MEDIA
Solarstorm Script and original idea © Copyright 2019 by the copyright owner Joe Rabl, PELICAN PICTURES.
All Media on the websites http://www.pelicanpictures.
You may not make alterations or additions to the material on his site, or sell it or misappropriate it. Material may be downloaded or copied for personal use. However, appropriate acknowledgment of the copyright owner is required if material is re-published in any format.
Except for the above reasons, no part of the materials available in this website may be copied, photocopied, reproduced, translated or reduced to any electronic medium or machine-readable form, to social networking sites, communication sites, groupsites, pages and accounts in whole or in part, without prior written consent of PELICAN PICTURES. Any other reproduction in any form without the permission of PELICAN PICTURES is prohibited. Distribution for commercial purposes is prohibited.
PELICAN PICTURES uses various third-party social networking sites, communications services, pages and accounts (“Social Media”), including Facebook, Twitter, Instagram and others to encourage interaction, to promote our products and services and to communicate with our customers and fans. These Social Media channels are offered to enhance customers’ responsible enjoyment of films and entertainment by offering information, promotions, news, and other relevant content.
PELICAN PICTURES does not endorse any of the views expressed in comments, links, groupsites, images or video, posted by users, and in no way verifies or confirms the accuracy of those items. Comments, links, images or videos that violate the PELICAN PICTURES Copyright may result in these items being deleted and the user being blocked from the account.
Comments, visuals, videos, links, groupsites and other type of materials posted by users on such Social Media channels (“User Content”) do not necessarily reflect the opinions or ideas of PELICAN PICTURES and his employees. PELICAN PICTURES does not (a) represent or warrant the accuracy of any statement or product claims made on its Social Media channels,(b) is not responsible for any User Content on its Social Media channels, and (c) does not endorse any opinions expressed on its Social Media channels.
Solarstorm Original idea and Pictures
(C) 2019 by Joe Rabl. All rights reserverd.
COPYRIGHT NOTE FOR SOCIAL MEDIA
Solarstorm Script and original idea © Copyright 2019 by the copyright owner Joe Rabl, PELICAN PICTURES.
All Media on the websites www.pelicanpictures.net/ and www.solarstorm-themovie.com are protected by copyright.
You may not make alterations or additions to the material on his site, or sell it or misappropriate it. Material may be downloaded or copied for personal use. However, appropriate acknowledgment of the copyright owner is required if material is re-published in any format.
Except for the above reasons, no part of the materials available in this website may be copied, photocopied, reproduced, translated or reduced to any electronic medium or machine-readable form, to social networking sites, communication sites, groupsites, pages and accounts in whole or in part, without prior written consent of PELICAN PICTURES. Any other reproduction in any form without the permission of PELICAN PICTURES is prohibited. Distribution for commercial purposes is prohibited.
PELICAN PICTURES uses various third-party social networking sites, communications services, pages and accounts (“Social Media”), including Facebook, Twitter, Instagram and others to encourage interaction, to promote our products and services and to communicate with our customers and fans. These Social Media channels are offered to enhance customers’ responsible enjoyment of films and entertainment by offering information, promotions, news, and other relevant content.
PELICAN PICTURES does not endorse any of the views expressed in comments, links, groupsites, images or video, posted by users, and in no way verifies or confirms the accuracy of those items. Comments, links, images or videos that violate the PELICAN PICTURES Copyright may result in these items being deleted and the user being blocked from the account.
Comments, visuals, videos, links, groupsites and other type of materials posted by users on such Social Media channels (“User Content”) do not necessarily reflect the opinions or ideas of PELICAN PICTURES and his employees. PELICAN PICTURES does not (a) represent or warrant the accuracy of any statement or product claims made on its Social Media channels,(b) is not responsible for any User Content on its Social Media channels, and (c) does not endorse any opinions expressed on its Social Media channels.
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